Concrete Psalms

The brief

Salt Press asked for pictures that would sit beside long-form reporting without illustrating it word for word. We proposed the opposite of a shoot day: time. Post-war estates photographed at the hour residents leave for work — architecture as a backdrop to ordinary devotion.

How we worked

Everything was shot on Ilford Delta 100, handheld, in available light. We kept the crew to two people, spent the first days without cameras and only started photographing once our presence had stopped being interesting.

Each evening we wrote down names, places and small details next to frame numbers. Those notes became the captions — and in the end, half of the story.

Delivery

The final edit of 24 frames was developed and printed by hand in our Lisbon darkroom and delivered with high-resolution scans, a complete contact sheet and a set of fibre-based prints.